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From Up on Poppy Hill premiered on July 16, 2011, in Japan. It received positive reviews from most film critics and grossed $61 million worldwide. An English version was distributed by GKIDS; it was released to theaters on March 15, 2013, in North America.[6]
From Up on Poppy Hill was officially revealed as the new Studio Ghibli film for 2011 on December 15, 2010.[13] It is based on the 1980s shōjo manga of the same name by Tetsuo Sayama and Chizuru Takahashi.[14] It was revealed the director Gorō Miyazaki would be directing.[13] Gorō Miyazaki is the eldest son of Studio Ghibli's co-founder and acclaimed director Hayao Miyazaki; he made his directorial debut in the 2006 film Tales from Earthsea.[13] From Up on Poppy Hill is his second work.[15]
In a press interview given after the 2011 Tōhoku earthquake and tsunami, it was announced the film's production was affected by the rolling blackouts imposed after this disaster.[17] In particular, the animation process was forced to proceed in the night to minimize disruptions.[17] When pressed about the progress, it was revealed that the animation was "about 50% completed", though it was added that the "animation would have otherwise been over 70% completed without the disaster".[17] However, Hayao Miyazaki assured the public that the film would still be released on July 16, 2011, as previously announced, saying that it was their responsibility to do so.[17] Gorō Miyazaki stated that while most of the staff was not affected by the disaster, there were several "who did go through a period of mental affectedness because of what happened and that took some time to recover from."[18]
On August 17, 2011, it was announced that From Up on Poppy Hill would be one of the Japanese films being showcased at the 2011 Toronto International Film Festival, which was held from September 8 to 18, 2011.[30] It was also revealed that the film would be showcased in the "Japan International Premiere" section, which is part of the "Contemporary World Cinema" event in the festival.[30]
Mark Schilling of The Japan Times described From Up on Poppy Hill as a "pure-hearted, melodramatic youth film".[42] The reviewer criticized the story as "predictable" and called the direction "pedestrian".[42] However, he concluded the review by praising the film, saying "a wealth of period detail brings the era to nostalgic/realistic life".[42] Takashi Kondo of The Daily Yomiuri said that it "is filled with many experiences that have been lost in our daily life".[43] Kondo also said that "the father-son joint production [of Hayao and Gorō Miyazaki] achieved a wonderful result and [From Up on Poppy Hill] is a work that needs to be seen in this day and age".[43]
A. O. Scott of The New York Times praised From Up on Poppy Hill for its visuals as well as its characterization. Although Scott said that the "specific tragedy that lies in the background may not register with children," he would say that adults are "likely to be charmed by the love story and enchanted by the delicate rendering of a bygone but not entirely forgotten era".[44] Kenneth Turan of the Los Angeles Times called the film "a time-machine dream of a not-so-distant past, a sweet and honestly sentimental story that also represents a collaboration between the greatest of Japanese animators and his up-and-coming son." Turan also said that Latin Quarter "is "Poppy Hill" at its most fantastical." On the characterizations, Turan stated, "the respect and politeness with which all the characters, even the teenage protagonists, treat one another is a far cry from what can go on in this day and age."[45] Scott Tobias of NPR argued that the thematical aspects were too obvious but that "the warm tenor of the film that ultimately rescues it."[46]
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